Agencies begin to feel the pinch as advertisers review accounts in droves; read Tony Walford’s comment in The Drum

We’re not yet out of January and already $10bn worth of media business is under review, according to the estimates of marketing consultants ID Comms. This week alone The Drum has reported that major spenders Shell, Asda, HSBC and Procter & Gamble have begun re-evaluating their agency arrangements. They follow the likes of Mars, Coca-Cola and Sky who already have tenders worth hundreds of millions in play.  And this is only the start.
“Our market intelligence would indicate that 2018 will be an extremely busy and congested pitch market,” says David Indo, ID Comms’ chief executive. The current cavalcade of reviews is being likened to the events of 2015, a year dubbed ‘Mediapalooza’ on account of the vast amount of business that was put out to pitch. Back then Coca-Cola, DHL, General Mills, Honda, L’Oreal, Mondelez and P&G all moved accounts to new agencies while the likes of Coty, GSK, Reckitt Benckiser and Unilever ran pitches before opting to retain their incumbents. But according to Indo, marketers’ motivations are “decidedly different” this time around compared to their hunger for “immediate and bankable savings” in 2015. Then, “the desire to secure improved prices overshadowed everything else,” he says. Now advertisers are challenging their agencies to illustrate what measures they have in place to mitigate against ad fraud and enforce brand safety, marketing’s hottest topics. “Many brands have spent the last 18 months seriously considering their media agency requirements and getting their ‘own house’ in order prior to going to market,” he says. “If 2015 was a race to the bottom, 2018 has the makings of a year where the challenge for the agencies will be who is best equipped to race to the top.” Agencies can’t say they weren’t warned. Clients have been challenging them on their efficacy ever since P&G’s chief marketing officer Marc Pritchard set the tone almost exactly a year ago with a landmark speech demanding the industry face up to the concerns around its “murky at best, fraudulent at worst” media supply chain. And marketers, at least, appear to have heeded his call – reviewing not just their media business but increasingly large swathes of their creative and communications needs too. “The communications marketplace is evolving at an ever-faster pace and many advertisers are quite naturally questioning how they can best operate in this environment and whether they have the right shape and skills internally and externally,” says Debbie Morrison, a director at the advertisers’ trade body, ISBA. “The status quo no longer delivers the results that these organisations need.” Such a frank assessment from the organisation that styles itself as the Voice of British Advertisers will do little to reassure anxious agency bosses. But the onus is on them to better allay clients’ concerns and in turn their own, according to marketing procurement consultant Tina Fegent. “Agencies have not been proactive in talking to clients about the issues,” she says. “I appreciate it’s a hard call to make but I haven’t seen any proactive discussions with clients. This affects trust.” One thing the major marcomms groups have been doing is working hard to remould their agencies into the image they believe clients now crave. The Havas Group developed a new tool to give its clients a complete view of a programmatic buy, from where ads are going to how much they are spending. Called the ‘Client Trading Solution (CTS)’, it’s not a way to trade programmatically but is being pitched as a “client facing, fully transparent control tower displaying all programmatic trading”. Publicis has focused on simplifying its services and made much of its ‘Power of One’ model which brings to bear for clients all of the group’s operations from creative, to media to digital under one roof and one chief executive. It will be pressure tested by the Asda review. WPP, meanwhile, has focused its efforts on consolidation of an even more permanent kind with the merger of its media agencies MEC and Maxus into “media, content and technology agency” Wavemaker, which launched this month. It’s easy to see why agencies are doubling down on consolidation and simplification. Published last year, the second Media2020 report by Media Sense, ISBA and IPSOS Connect – which surveyed 250 senior British marketers – recorded an uptick in respondents stating that they will use fewer agencies in the future compared with the first survey, conducted in 2015. In fact, 62% of marketers agreed they will use fewer second-parties, up 4% in two years. But Paul Frampton, who was the chief executive of Havas Media Group UK & Ireland until November last year, questions whether marcomms groups – generally – have moved quickly enough to respond to clients’ ever-changing needs. “The winds of change for agency holding groups have been predicted for some time but the volume of big business being reviewed so early on combined with the simultaneous aggressive challenge from management consultancies was unexpected and will create nervousness from analysts,” he says. “Brands are demanding both a new strategic model and genuine transparency, but the bigger holding groups seem slow to provide either.” Those who might fill the gap include smaller independents who could compete on price but might not have the capacity the biggest advertisers require and the management consultancies who, as Frampton hints, have bullishly parked their tanks on the lawn of the marketing industry in recent years. But despite hoovering up advertising and digital agencies in recent months, and increasingly touting their creative credentials, the likes of Accenture and Deloitte have shown little appetite thus far to compete at scale in the media buying business. A third possibility, and one that marketers are increasingly exploring, is the option of bringing more of their marcomms requirements in-house. Internal creative agencies are already relatively common, and the setup has proved successful for Specsavers, Channel 4 and the BBC who have drawn plaudits for the quality of their output. In-house media trading desks remain lesser spotted but that may change with P&G’s newly revealed plans to “automate more planning, buying and execution and bring it in-house”. Alex Tait, a former Unilever marketer who now runs the consultancy Entropy, says he’s been speaking to “a lot of brands” who have been mulling over the best way to structure their marketing efforts. He does not, however, think a wholesale shift to in-house media buying at the expense of agencies is imminent. “The fact is that maximising ROI with modern media and marketing communications involves getting the right model across internal and external teams, platforms etc,” he says. “Full outsourcing isn’t a very sophisticated approach but there are a lot of levels in between. You’d have to be very confident with your capability to bring all media buying in house which I don’t see many brands doing in reality.” So the outlook may not be as gloomy for agencies as the spate of recent reviews and restructures would suggest, but testing times await as 2018’s answer to Mediapalooza gets underway. The best thing the likes of WPP can do now is to remind advertisers – and their investors – of the qualities they possess that can’t be so easily replicated by startups, consultancies or even clients themselves. “WPP has some great creatives sitting within its various agencies. It needs to push these to the forefront,” says Tony Walford, partner of corporate finance advisory Green Square. “There are huge pressures on driving down costs within agency groups, but one thing that cannot be commoditised is creativity. Most clients would be prepared to pay a premium for great work and WPP should be both pushing its creative credentials and letting shareholders and the City know that creativity is largely immune to downward pressures.” Whatever tactic agencies adopt in the pitch warfare that’s to come, there are literally billions riding on them getting it right.  Read more

Despite Trump, Iran remains an exciting proposition for the marcomms industry

Back in late 2008/early 2009, there was a good deal of optimism in America and much of the developed world; surprising really, given that we’d just suffered the worst financial meltdown in more than 80 years. The reason for that optimism was, of course, the election of a new US president. Barack Obama wasn’t just the first black POTUS in history, he represented something new after the divisive Bush and Clinton years. He was charismatic, personable, young – with something of the young John F. Kennedy about him – and was full of energy and ideas.
It’s fair to say that, despite his undoubted qualities as a man, and his good intentions, Obama’s two terms were something of a disappointment, and that optimism of those years had largely faded by the time he left office. However, he did achieve something very significant during his two terms – and that was bringing Iran back into the fold after 30 years. My Green Square colleague Barry Dudley wrote about this in The Drum back in 2015. Why is Iran important, not just for the marcomms industry, but for the world in general? Well, as Barry pointed out, and despite its well-documented problems (notably a repressive government, religious extremism and an ongoing proxy war with Saudi Arabia which has caused untold misery in the Middle East and beyond), Iran is more than a dour, backwards theocracy. It has a predominantly young, outward-looking and entrepreneurial population (56% of its 80 million people are aged under 25) with a surprising affection for parts of the west and a hunger for brands. One of the most wired-up countries outside the west – internet penetration runs at 56%, and mobile penetration is now approaching 130% – it’s potentially a regional superpower. Economic growth is running at about 20% and the country has more tech and advertising startups than anywhere else in the region. The young, urbanised population is stylish and well-informed and educated; and, despite the government’s efforts, ingenious in its efforts to circumnavigate state crackdowns. The film, theatre and music industries are also thriving. While in no sense an, open, western-style democracy, it is starting to look like a modern state. No wonder then that brands and their marketing agencies are interested in the country. Indeed, shortly after Barry wrote that piece, the sage of advertising, WPP boss Sir Martin Sorrell, was bigging up the country. As Iran-watchers consistently pointed out, Iran is a more westernised country than China. While progress is – inevitably – slow, the opportunity for brands in Iran remains potentially huge, and the big networks will be licking their lips at the thought of snapping up, or working with, the country’s agencies. These include Zigma8, PGt, Nour and Irannovin. The best-known of these shops is Tehran-based Zigma8, whose founder and executive creative director, Dr Mir Damoon Mir, has established himself as something of a guru on his country’s agency scene. “The first and most important thing to bear in mind when advertising and branding in Iran is that you are communicating with one of the most diverse audiences in the world,” he said last year. “This is a vast community from the north of Iran to the south, and from east to west, with an unsaturated market in the big cities. Tehran is the second largest city in Western Asia, and the third largest in the Middle East. It’s a large, multicultural community with a wide range of diversity. “Even though the purchasing power of the majority of people decreased in the eight years of the Mahmoud Ahmadinejad regime, this is still a demanding society when it comes to luxury brands and quality products and services. Many luxury malls have opened in Tehran and other Iranian cities in recent years, and most of them are fully packed on weekends. “People enjoy shopping and having dinner or lunch in restaurants and fast food places. They love to dress up and go out to malls, to see and be seen, and even if they’re not shopping, they’re at least window-shopping. More than fifteen large shopping malls are under construction just in Tehran, and many more in other parts of the country. “I know lots of teenagers who work full-time for $400 per month, but when you look at their wardrobe, each item costs $150 or more, and it is all major brands. The community is very sophisticated about brands. Iranian consumers have a definite sense of style, and they like to show off.” Mir identifies gaming, computer hardware and software, banking, homewares and fashion as growth areas. Samsung, Danone, Unilever, BAT and Bayer are all already advertising in the country. So, lots of potential there. You can see why stylish brands such as Apple are interested in gaining a foothold in this potentially lucrative market. Since then, a spanner has been thrown in the works with the election of the 45th US president. Donald Trump has made no secret of his desire to pull America out of the Obama deal and re-impose sanctions. Leaving aside the geopolitical effects of such a move – far too complex to deal with here – outward-looking brands and agencies here in the west will be disappointed if Iran becomes a pariah again, the door slammed shut just when it had been pushed ajar. For all his bluster, The Donald has, however, yet to enact any of his decrees: both his repeal of Obamacare and the “travel ban” have become stuck in the labyrinthine corridors of Washington politics, with no resolution in sight. And only this week Theresa May underlined the UK government’s support for the nuclear deal. Of course, no matter how this drama plays out, there will be significant challenges for any agencies wishing to work in the country – not least the distinctions between Persian and Arabic language and culture (and indeed between Judeo-Christian/Western secular and Shia Islamic culture). It is not simply a case of repurposing content from other areas of Europe or the Middle East, as this approach will be rejected by Iranian consumers. Some brands will also find it easier than others to launch in Iran. Certain products, like energy drinks, are prohibited, while other types of foods and industrial goods will encounter tougher regulations, with the Iranian government keen to protect local producers. But things look more straightforward for companies in the technology and telecoms space. However, foreign advertisers are currently forced to pay a premium to advertise on Iranian TV, which will require expert negotiating skills by media agencies; and although some large supermarket chains (notably Carrefour) have entered the market, the country is still dominated by bazaars and small shops, making it difficult for western brands to get decent distribution. But these are not insurmountable problems. Iran still remains a tantalising and exciting proposition, and the marcomms industry should, now more than ever, be working at ways of developing it.

M&A round-up: The rise of channel marketing and the decline of ‘conventional’ ad agency acquisitions

As the month of May draws to an end, one thing leapt out at me as I looked back at some of the deals of the past four weeks or so – and that was that of the dozen or so deals done during the month, hardly any were ‘conventional deals’. When I say ‘conventional’, I mean an ad agency buying out, or acquiring, a majority stake in another agency, or two agencies merging. But this kind of deal has been in decline – if that’s the right word – for a while now.
These days, it’s all about acquiring capabilities – to beef up an offer, perhaps, or to expand into new channels. Interestingly, most of the deals during May link into the field of channel marketing. We’ve looked at this before in The Drum of course, but as so many deals were done in May I thought it would be appropriate to revisit it. For those who don’t know, channel marketing is the use of partnership to allow a brand or service to reach a wider audience, rather than just trying to sell one thing in one place. In effect it’s a kind of B2B marketing that has been used for ages by tech companies (eg Microsoft or Sandisk working with vendor or retailer partners) and by the grocery industry (eg Heinz working with the supermarkets) to reach end users or consumers. Another example might be a jeweler selling on QVC rather than via a few specialist jewellers; or selling beer at music festivals and football games rather than just through pubs and shops. As a channel – or perhaps more accurately, discipline – the lines of what defines channel marketing have become increasingly blurred, and it increasingly overlaps with other forms of B2B marketing, shopper marketing, events, experiential and even performance and affiliate marketing. One of the longest, but most effective channels, is the impulse/convenience retail chain. In the latter, a manufacturer would typically supply, say, crisps to a wholesaler, who would then supply a corner shop, whose owner/staff would then pass on to the crisps to the consumer. At each stage, marketing is involved: manufacturer to wholesaler; wholesaler to retailer; and finally retailer to consumer. Sometimes there will be marketing from the manufacturer directly to the consumer – in the form of a TV advertising campaign for instance – but for this (expensive) investment to succeed, everyone in the chain or channel has to have bought in to the idea and to stock and pass on the product: no good advertising something that can’t be bought anywhere. For channel marketing to be effective, relationships and support networks have to be built. Specialist agencies are often used for this purpose. An example of this would be 3ree, an agency based in Singapore, which was last week acquired by Always Marketing Services, China’s leading field and shopper marketing company (which is majority-owned by WPP network JWT). Founded in 2010 by Tan Li Li and Isabel Cheong, 3ree offers event management, sourcing and production of marketing premiums, project management for exhibitions and activations, and design and creative services, as well as digital marketing; so it’s a classic channel marketing agency. Always offers trade marketing, including merchandiser management and retail audit; retail marketing, including promoter management, in-store activation and retail environment designs; as well as shopper marketing, including point of sale design, events and road shows, as well as premium design and production. The two businesses complement each other very well (and 3ree fits in nicely with WPP’s long-term strategy of making acquisitions in growing territories or channels) and the acquired agency has business in key Asian markets, including Malaysia, Indonesia, Vietnam, India, Japan, Korea and Australia. Clients include Microsoft, Mitsubishi Electronic, Seagate and StarHub. We’ve written before that the big audit and management consultancies – EY, KPMG, PWC, Deloitte, McKinsey and so on – with their ability to offer strategic insights, represent one of the biggest challenges to the established agency networks, so it was no surprise to see KPMG snapping up Nunwood, an independent consultancy specialising in customer experience management and feedback technology a fortnight ago. Founded in 1996, Nunwood has offices in Leeds and London. Advising companies across the retail, telecoms, financial and leisure industries, its acquisition enables KPMG to offer a full-service customer management programme to its clients, from mapping the customer journey to measuring ongoing feedback. Nunwood’s ‘Fizz: Experience Management’ technology is used by organisations like British Airways and Nationwide to provide customer information to hundreds of managers, often in real time. Commenting on the transaction, Richard Fleming, head of advisory at KPMG, told the media: “This deal is strategically very important to KPMG as it will enable us to provide clients with the tools they require to be truly customer-centric. Nunwood’s understanding of the issues driving customer behaviour, and the way they focus on improving customers’ experiences mirrors our approach of putting technology at the heart of everything we do. “By combining forces we will be able to help clients take action, so that each decision they make is based on real-time customer feedback. At a time when companies are worrying about their market share, the combination of KPMG’s Customer and Growth capability with Nunwood’s expertise in managing the customer experience will create an advisory business ideally placed to help our clients as they grapple with the realities of a fluid customer-base that is increasingly selecting services on the basis of their experiences.” Again, from those remarks there appears to be an intent to sew up the channel experience. On a smaller scale, another recent channel marketing deal that caught my eye this month was digital agency Stickyeyes’ acquisition of Peterborough and London-based content marketing agency Zazzle Media. Content marketing is a discipline which has an increasingly close relationship, and overlap with, channel marketing. So it’s another astute buy: the joining of the two companies represents a very good fit of digital and content marketing expertise. Both brands will remain independent, but will work in an integrated fashion: Stickyeyes will continue to provide SEO, paid search, social media, PR and digital consultancy Zazzle the content marketing. And there have been more – Publicis’ media network ZenithOptimedia’s acquisition of the Czech and Slovak performance marketing agency B2B Group; UK outfit Periscopix being bought by the giant US Merkle group; or Candy Crush tycoon Mel Morris’ investment in Derby-based channel specialist BriefYourMarket.com (which specialises in intelligent, preference-based newsletters and e-mails). As a side note, it’s worth pointing out that BriefYourMarket.com achieved growth of 3,821% in the space of just 12 months, making it one of the UK’s fastest-growing companies. There was also the April merger between Pink Gorilla Marketing and Hairy Lemon Events in Leeds, creating a company (the somewhat inelegantly named Pink Gorilla Hairy Lemon) that will on fashion shows, bar and restaurant launches, sample sales and corporate events. Given that Leeds is starting to boom again after the recession, and has a comparatively young population, it’s not hard to see PGHL picking up clients pretty quickly. Even last month’s £190m buyout of price comparison firm uSwitch by property site Zoopla, which looks on the surface to be one internet company buying another, demonstrates the importance of channel marketing in today’s increasingly blurred marketing landscape.

How to organise and delegate are essential arts for entrepreneurs to learn

THE TIMES – Rob Hill was sitting at his desk one Sunday evening wading wearily through emails when he realised that something had to change. He was clocking up between 90 and 100 hours a week trying to develop his fledgeling events business but didn’t feel as though he was making progress. “I remember being slumped in my chair like a broken man thinking, this has to change, I cannot go on like this. I was overworked but I was just not getting anywhere. “I had never managed people before and I didn’t want to delegate because I thought that no one else could do the job. And I was failing out of love with my business, which for an entrepreneur is very dangerous — because you cannot motivate other people if you have fallen out of love with the business yourself.”
That evening proved to be a turning point. Having spent seven years single-handedly growing The Eventa Group to the point where it had ten employees, Mr Hill realised that if it was to expand any further, then he needed to create a proper management structure to help him to manage his employees and his business better. He immediately brought in Nick Shuff, a director and business partner, and between them they developed a management team, including a marketing manager, an HR manager and a finance director. The impact was dramatic. Turnover went from £1.7 million to £10.1 million in four years and the number of employees jumped from ten to seventy-five. “It turbo-charged growth, it was just phenomenal. All of a sudden we were one of the top 100 fastest-growing companies and I was winning entrepreneur of the year awards. “I don’t think we would have got that level of growth if I had not made those decisions then, to invest in that management team and get that level of expertise in.” It’s a challenge that many entrepreneurs will recognise. One of the biggest hurdles for owner-managers is learning how to manage, and delegate to, employees. For an entrepreneur with a clear vision of what they want to achieve, it can be particularly hard to learn how to delegate, trust and motivate workers. Cracking the issue is often the key to success. According to the latest ECI Partners survey of high-growth companies, 54 per cent of respondents said that investment in staff would be a growth driver for their business over the following year. Lara Morgan had to learn on the job about managing employees. Having started her toiletries business, Pacific Direct, on her own with nothing but a fax machine, she eventually built and managed a team of 467 employees before selling the business for £20 million in 2008. She now invests in small companies through her business, Functionality, including activbod, a skincare range, and Gate8, a luggage company. “Managing people can be emotionally stressful,” she says. “Humans are not infallible and the huge amount of mistakes they make through the poor management of people can be the breaking of any business. In my mind, the greatest and continual challenge of any growing enterprise is that of managing people.” One of the key things Ms Morgan did at Pacific Direct was to make sure that she continually engaged with and rewarded staff. She would come back from work trips with photocopied pages of business books that she had read, to share with them, and occasionally would surprise them by giving them bouquets of flowers and taping £50 notes under their chairs for them to find. She even once took the entire workforce, then 26 people, on an all-expenses paid holiday to Barbados to reward them for hitting a profit target. “I have made many mistakes along the way, but I still stick to the belief that most people want to do a good job and a great job. When people are treated with respect and given fair rules, and are included in the conversation to deliver the best service, then your chances of successful retention skyrocket. “Compared with other company growth challenges, the people piece will always be my greatest trial. Nevertheless, the reward of loyalty, laughter and work enjoyment far outweighs the turmoil.” Tony Walford, a partner at Green Square, says that managing employees in a fast-growing business is particularly tricky because of the speed at which change takes place. “When the business employs five or six people, you are one big happy family, but as it gets bigger, that’s when the problems start because somebody has to become the boss. You can’t have 50 people sitting round the table at lunch having a nice chat; you have to decide who is going to take leadership roles.” He argues that there are two key challenges to managing employees well in growth companies. First, you need to make sure that you are constantly monitoring the needs of the business. “As the business develops, everything changes — you will find the roles that need filling will change, and new roles that weren’t needed before popping up, and you suddenly find someone sitting there doing a job which they shouldn’t be doing. You need to be constantly on top of that.” Second, you need to make sure you are constantly monitoring the needs of the employees. “If you can give them career progression and training and enhancement, they are more likely to stay with you.” There has rarely been a better time to get it right, as companies face the prospect of a talent shortage for the most-skilled workers as the economy picks up. According to the same survey from ECI Partners, 82 per cent of growth businesses in Britain said that they were experiencing a skills shortage, with 13 per cent describing it as a “significant issue”. If it’s getting easier for skilled employees to move on, it makes even more sense to find ways to convince them to stay put. Six keys to success Lara Morgan’s tips for managing staff in a growing company 1 Set clear “key performance indicators” from a carefully considered role description 2 Work to understand what makes each person tick and how they like to be treated 3 Put communication at the top of your management style. Inclusiveness, limiting hierarchies, fairness, consistency of standards and treating others well all go a long way 4 Look for ways to celebrate progress and outstanding performance. Reward people with the things they want, not what you guess they would like. Do not make the mistake of taking people out for lunch to celebrate great work when they could take their partner out at your expense instead 5 As the business grows, make sure that people find new challenges and are given training and that you continually invest in your team members, including external professional supporting qualifications 6 Be firm but fair, never forceful, bad-mannered, moody or inconsistent. Management must be fair and even-handed or else managers rapidly lose the respect of those they lead

The case for content marketing – Why today’s Mad Men need to embrace the art of storytelling

In this increasing wired, interconnected world, it’s easy to get hung up on delivery, process and technology, and to miss what really engages people – that indefinable thing that is called, for want of a better word, ‘content’. Content is the stuff that makes up a marketing message, the thing that prompts people to act, change their behaviour or embrace a brand or service. It’s by far the most important component of marketing, and in many ways the most underrated.
It’s this skill, or a perceived lack of it, that gets a certain kind of Mad Man all wistful for the 1960s, 70s and 80s, when beautifully-crafted messages (either on TV, in print or on billboards) ruled the roost. Everyone with an interest in marcomms looks back fondly to the days of O&M, DDB and CDP, and great campaigns for the likes of Volkswagen, Hovis, Guinness, Rolls-Royce and Heineken. Now, by fairly common consent there is a greater emphasis on delivery, meeting budgets and driving costs down, basically getting things done as quickly and cheaply as possible. The dazzling speed of technological change and disruption and the increasing realism and interconnectedness of both gaming and virtual reality, has shifted the marcomms industry’s focus onto technology and channels. This isn’t all that surprising – after all, there are almost unlimited possibilities for getting messages out there, and gaining consumers’ attention and engagement; but I wonder if the time might not be ripe for a reinvigorated focus on content. Now, content is a word that has been bandied about for some time, but not always that convincingly. Some of the bigger agencies with their quite understandable interest in data, digital and mobile media and strategic, consultative partnerships and ROI have been a bit behind the curve. Because at the end of the day, this business is all about moving people – to rage, to tears, to laughter; because the message won’t get through unless you entertain, inform, educate or benefit people. This was borne out by a law firm conference I attended the other week, in which an audience poll revealed that when asked the question ‘What’s more important? Digital advertising or content?’ over 90 per cent plumped for content. What does this mean? It means that people don’t like advertising (especially annoying banners and roll-overs that disrupt one’s web browsing), but they will watch stuff they find funny, or interesting, or useful. In fact they’re happy to do so. They want stories, not advertising. Over the past couple of years there have been some interesting stirrings, particularly in the startup sector: agencies specifically geared towards creating content have been springing up. An interesting example I came across was Kameleon, a London-based startup founded in 2008 by two guys from media giant Mindshare. The company now employs over 35 people and has done some impressive work for the likes of BA, Chivas, Sony and Volvic. Kameleon does most of the things you’d expect a full-service agency to do: strategy, creative, media, distribution and – this is crucial, because not many people are doing it that well at the moment – evaluation. Content and storytelling is at the heart of everything they do, and is usually based around online video – which is not only the fastest-growing marcomms channel, but also the most effective. And it works just as well for B2B as it does for B2C. Others, like London’s HubTV are moving from pure video production into creative and strategy, offering clients something akin to what the old full-service agencies used to offer. It’s a fascinating area, which will grow as content marketing becomes more important – and I’m sure it won’t be long before the big boys start sniffing round many of these such companies. None of this is actually new – content marketing is as old as advertising itself. As long ago as 1892, Dr August Oetker, he of baking powder fame, used to push his products by printing recipes on the back of the packaging. In 1900 French tyre firm Michelin wanted people to use cars as much as possible (so they’d sell more tyres) and developed a travel guide that offered tips, maps and articles on places to visit, eat and stay while on the journey. Given away free, it was a sensation, and remains perhaps the most effective and famous piece of content marketing ever. Nowadays big retailers like M&S, John Lewis/Waitrose, Sainsbury’s and ASOS all create customer magazines (effectively content marketing) with production values, editorial quality and readerships equal to, or greater than, traditional news-stand titles. Then there are what the Americans call ‘infomercials’ – perhaps most familiar here from the likes of QVC or those long-form demonstration/benefit films made by gadget firm JML and shown on late-night and daytime TV. But by far the fastest-growing, and most important, vehicle for content marketing is online. It started off a bit dull – white papers or e-books that you could download. But over the past decade, with ever-increasing broadband speeds and the growth of video-capable mobile devices, video has exploded. Content can be accessed any time, almost any place. Even more important, thanks to increasingly sophisticated analytics, advertisers can learn more about who’s watching their content, where, for how long, and how often. This allows the content marketing agency to improve, tweak and refine their content to make it even more effective. Although YouTube has by far the biggest each of any video channel, it’s not that great for lead generation, because YouTube’s real job is to generate ad click revenue for its owner Google. But specialist platforms like Wistia are more focused on real analytics and measuring ROI. All the great past masters of advertising – Bill Bernbach, David Ogilvy, Howard Gossage – knew that without great content, marketing could not be effective, nor (in Ogilvy’s case) did it deserve to exist. There’s an old school of thought, dating from more than half a century ago, which held that if you were going to interrupt a person’s day with advertising, you had to do it with wit and elegance or else give them something they found useful or entertaining. It’s a pity that this attitude has now largely died out, because today there is far too much advertising, and far too much of it is bad. Achieving ‘cut through’ is becoming increasingly difficult, especially as consumers and busy executives are now increasingly cynical and dismissive of marketing messages. As I alluded earlier, people don’t want to see advertising, but they will engage with good stuff. What is best about great content is that it just works. Everywhere. In PR, mobile, customer publishing, long-form advertising, DM… any discipline or channel would benefit from an injection of content-creation skill. And for forward-thinking creatives, this offers the opportunity to put their craft at the very forefront of the industry once again; there is no reason for a would-be Bernbach to feel marginalised by suits, planners and data geeks ever again. And that can only be good for the whole industry. Trawling round the net these past couple of weeks, I’ve actually been really heartened by some of the good work being done by the likes of Kameleon, Seven, Velocity, Videojug and others. What the nascent industry (there’s even a Content Marketing Association, whose website is worth a look) now has to do is to really make sure that it gets its measurement and evaluation nailed down. The case for content marketing will then become un-ignorable and the big clients and later, the big agencies, keen to get involved in the action, will come knocking. There is a good deal more I want to say on this subject so we’ll be returning to content in a fortnight or so’s time.

Publicis-Sapient buyout analysis: The deal no one saw coming is about reach, not scale.

Wow – nobody saw that one coming. It’s not every Monday morning one wakes up to discover that one of the biggest deals in the history of advertising has just been agreed, and kept so secret. The first most of us knew about this was a piece on the Wall Street Journal’s site yesterday evening (Sunday 2 November). What am I talking about? As everyone should now know, Maurice Levy’s Paris-headquartered Publicis Groupe has agreed to buy (or merge with, depending on you point of view) US-based Sapient for $3.7bn – in cash.
According to reports, the boards of both parties have agreed “unanimously” to the merger/takeover, so it looks a done deal. Once the paperwork is signed, Sapient will be delisted from the NASDAQ and subsumed into the Publicis Groupe (although Sapient co-chairman and CEO Alan J Herrick will become CEO of a new entity, Publicis.Sapient, which will also include Publicis’ existing digital businesses). That $3.7bn is a huge sum, and represents a massive premium. Reported profits for Sapient last year were only $86m on turnover of £1.36bn, although Bloomberg’s market analysis was more flattering, indicating a normalised EBITDA of $160m. But whichever way you look at it, it’s a huge premium – in fact, it’s a doubly huge premium, because Sapient’s market value just before the deal was announced was $2.46bn. So Levy is in effect paying one-and-a-quarter billion dollars more than the market thinks it’s worth and almost three times turnover. Sapient is a very good company; it’s been in the digital space since prehistory (1990!), employs some of the best suits and creatives in the business and has great clients like Audi, Coca-Cola, M&S and Target on its books. But is it worth a premium of about 44 per cent on the shares? And why has Maurice paid so much, and what does it all mean? First of all, to turn to the second question, it means that there will be no revisiting of the failed Publicis/Omnicom merger (if it was unlikely before, it’s impossible now). When the “Publicom” deal collapsed back in May, many of the merger’s critics (who were numerous, and very vocal) said that it was all about ego and legacy-building and nothing to do with adding value for shareholders. Over the past six months, as the dust has cleared and there’s been time for calm reflection, it’s becoming clear that there were actually some legitimate reasons for considering the merger, even if it was too unwieldy and there were too many cultural differences to overcome. The two good reasons for the deal were, from Omnicom’s position, to increase its capability in digital and, from Publicis’ side, to increase its presence in the US, where it has never been particularly strong. Despite the rise of China and other territories, the US is still the biggest and most important advertising market of all. In acquiring Sapient, Publicis now has an enormous bridgehead to build its business in the US and, more importantly, it can do it digitally, which is really what matters. Publicis’ acquisitions in digital over the past two or three years have been very canny, if a tad expensive – LBi, $450m; Rokkan, $575m; Rosetta, $575m; Razorfish, $530m; Digitas $1.3bn; plus Chinese social media agency Nettalk for an undisclosed sum, but likely to have been in eight figures. Now, it could be argued that Publicis has already got very good digital capability Stateside with the likes of RGA and Rosetta, and that this deal is just more of the same. There’s something in that, but I think Levy is thinking more long term – and I’m not just talking about his desire to leave a legacy when he steps down in the next two or three years. What he’s really thinking about is parking his tanks on the digital lawn. I’m willing to be corrected, but I believe that Sapient’s digital unit, SapientNitro, is the largest shop remaining outside one of the big international groups. As prizes go, it was just about the most glittering one still up for grabs; this morning Levy called it “the crown jewel in the quest for digital business”. And it will fit in very nicely with its existing digital businesses, Razorfish RG, Rosetta and Digitas LBi, creating a real digital behemoth that will have Omnicom, WPP and IPG fretting and, perhaps, looking around for properties of their own. However, I’ve no doubt that Sir Martin Sorrell will say that he is sticking by his strategy of making organic acquisitions in new spaces and in new territories, as he did when the Publicis-Omnicom merger was announced last year What’s really interesting about this deal for me though is the thinking it represents. In a world and an industry increasingly disrupted by technology, it’s long been assumed that everyone had to attain scale to survive – hence the rash of M&A and consolidation activity we’ve seen over the past decade. The Publicis-Omnicom merger was, to a degree, all about scale: being the biggest agency with more of the best people with the biggest blue-chip clients. But building an entity of that size was always going to be fraught with political and cultural dissonance, client conflicts, regulatory hurdles and infighting. So, while scale is an important factor in Publicis’ thinking here (consolidation should save it about $50m a year in costs), I think reach is more important. In business, scale and reach are two different things. In marcomms, it’s about putting your clients where their customers are and, at the moment, when said customers are going to be most receptive and responsive to messages. It’s all about helping your clients get to, and grow in, new markets. So, while Publicis.Sapient will be the world’s largest digital agency ($8bn in revenues, 75,000 people worldwide), it will also have the widest reach – in all the world’s important markets, strong in all digital channels and disciplines including mobile – together with a client book full of companies both strong in digital marketing and requiring a helping hand. It can help clients move into new areas: Pubicis’ digital agencies could prove particularly attractive for, say, Chinese brands wanting to break into America and Europe, and help them cut or consolidate costs. When scale and reach are combined, you have power. And as the likes of Google and Facebook try to lure clients away from agencies in order to deal with them directly and grab a larger slice of the marcomms pie, Publicis is now in a better position than arguably anyone else to stand up to the aforementioned tech giants. Sapient has always been strong on strategy, and this could in the long term be Publicis’ ace in terms of building new business and boosting its revenue streams. As I’ve argued before, in a digital world creative is in danger of being seen as a commodity, while strategic thinking is highly valued by clients looking to cope with the digital revolution. Some time ago, Levy told investors and the media that he wanted 50 per cent of Publicis’ revenues to come from digital by about 2018. In its third-quarter results announcement last month, Levy announced the figure was 41.6 per cent. After snapping up Sapient, some observers reckon that this target could be met as soon as next year – three years ahead of schedule. This means that while Publicis is not the largest global agency group (WPP still holds that trophy) it is best-placed to survive in an increasingly digital and increasingly mobile world.

With a hat-trick of acquisitions, WPP is stealing a march on its rivals in Brazil

Back in 2001, an economist named Jim O’Neill wrote a paper for Goldman Sachs in which he coined a brand-new acronym – the BRIC economies. Since then, of course, said acronym has come into widespread daily use as a symbol of the apparent shift in global economic power away from the developed G7 economies towards the developing world, specifically Brazil, Russia, India and China. Predictions about the future power of the BRICs vary wildly, but at some point – nobody can agree quite when – it seems reasonable to assume that, given these four countries comprise 25 per cent of the world’s land surface and 40 per cent of its population, that they will eclipse the US, Japan and the EU.
Of the four countries, the one that is perhaps easiest for us in “the developed West” to understand is Brazil. China is wildly successful, but is a highly centralised, controlling state. Russia has a touch of the lawless Old West about it while India, although more open and democratic, is chaotic. But Brazil is a relatively stable Western-style democracy, rich in human and natural resources, with European colonial roots and a Romance language (Portuguese). Although it does have its fair share of problems, it does have enormous potential. So it’s perhaps no surprise to learn that that most canny of marcomms investors, Sir Martin Sorrell, has been investing quite heavily in the South American giant recently (Brazil is also WPP’s eighth-biggest market globally with sales of more than $650m a year) – in fact, WPP has bought no fewer than three Brazilian agencies in as many weeks. All of them are in growth areas, in keeping with WPP’s oft-quoted business strategy. The most recent was in the area that will be the fast-growing and most hotly-contested of the next few years – data. Kantar Health, WPP’s wholly-owned global healthcare consulting firm, acquired Focus Assistência Médica S/S Ltda. and Classe Assistência Médica S/S Ltda. (we’ll call it “Evidências” for brevity), a leading healthcare research company based in the South-Eastern cities of Campinas and São Paulo. As ever with WPP, the details of the deal have not been disclosed, but Evidências’ unaudited revenues for the year ended 31 December 2013 were approximately 5.8 million Brazilian Real (about £1.5m) with gross assets of approximately 0.9 million Real (£223,000) at the same date. So not a huge deal in all likelihood, but an important one. Founded in 1998, the company employs 22 people and provides consultancy and research services in pharmaco-economic studies and analysis, local dossier submission packages, professional writing, market access and training. It works with all segments of the Brazilian healthcare market, including health insurers, government bodies, hospitals and providers, and pharmaceutical and medical device manufacturers. WPP says in a statement: “The acquisition expands Kantar Health’s presence in an important fast-growth market and provides the company with new capabilities in cost effectiveness and budget impact economic models. It also continues WPP’s strategy of investing in fast growing markets and its commitment to developing its strategic networks throughout the dynamic Brazilian market.” What’s also interesting is how WPP has been slowly reinventing Kantar – once the “market research” unit of WPP, it is now moving towards a consulting, insight and data analytics model – or, as the group calls it, “[our] data investment management division”. With the data and pharma boxes ticked, we move on to digital and mobile. JWT, one of WPP’s biggest global ad networks, bought a majority stake of Cairos Usabilidade Eireli (known as “Try”), a user experience agency in Brazil that designs and develops custom web, mobile, desktop and touch-enabled applications. Try’s unaudited revenues for the year ended 31 December 2013 were approximately 2.5 million Real (£620,000). Again, not a huge acquisition, but Try does have a very good client book, including a number of successful Brazilian and international businesses such as Itaú Bank, Porto Seguro, Electrolux, SKY, Serasa-Experian, Havaianas, Prontmed, and Kate Spade. Founded in 2003, the company employs 22 people and is based in São Paulo. Try provides consultancy to their clients in user experience, interaction design and prototyping – so again, it is more than “just” an agency. Sir Martin’s third September Brazilian acquisition was another JWT deal, this time in another important market – search. Internet penetration in Brazil lags behind many developing economies – it’s just 45.6 per cent – so there is plenty of growth to be had in search, and search engine marketing lags behind other territories. So the announcement of the acquisition of a majority stake of Mídia 123 Serviços de Publicidade Via Internet Ltda. (better known as “Blinks”), a leading search engine marketing agency, was another indication of the holding group’s seriousness about becoming a major force in Brazil. Blinks’ unaudited revenues for the year ended 31 December 2013 were 11.2 million Real (£2.8m) with gross assets of approximately 3.3 million Real (£819,000) at the same date, making it the biggest of the three acquisitions Clients include local companies Bom Negócio, CVC, Netfarma, Giuliana, and Sem Parar. As well as more familiar names like office supply giant Staples. Founded in 2009, the company employs 81 people and is based in São Paulo. Blinks specialises in sponsored-links campaigns and other performance-based advertising. As internet penetration in Brazil grows, brands and companies will have to focus on effective search-engine marketing (SEM) to achieve the best search engine rankings. As a result, clients are increasingly turning to established SEM solutions, such as those provided by Blinks, to play a strategic role in maximising their internet presence and the all-important return on investment; and, by coming to the party relatively early, WPP has stolen a lead on its rivals.

The Telegraph – SME Masterclass: How to deal with difficult customers. Tony Walford interviewed by The Telegraph

All customers are not created equal and sometimes they can be more trouble than they are worth. Here’s how to deal with the difficult ones:
1. Decide what the problem is. Work out exactly why they are difficult. Is it because they take up so much of your time with endless demands? Is it because they don’t pay enough for the service you are offering them? Is it because they are rude or abusive to your staff, or continually want what you cannot provide? Once you have pinpointed the problem, the solution will become more obvious.Tony Walford, partner at Green Square business consultancy says: “Look at why they are driving you crazy. If it is because your business hasn’t delivered what you said they were going to do, then you need to address that and rectify it.”2. Listen to them. Treat any criticism as useful feedback. Unless they really are completely impossible, take note of what your difficult customers are saying. If you are fed up with customers asking for products or services that you don’t provide, ask yourself why you don’t stock them. It could be that you have missed a gap in the market. If they are asking for more than you think you have agreed to, it may be that the original contract was not sufficiently precise or well worded.3. Work out what they are really worth to your firm. This is not just about calculating how much money they spend, it is about how much of your firm’s time they take up. Then ask yourself, is the gain really worth the pain? Difficult customers can not only sap your energy as you spend all your time trying to please them and attend to their every need; they can actually do irreparable harm to your business by diverting your attention away from the good customers who might have been willing to spend a lot more money with you if only you hadn’t been so preoccupied elsewhere. 4. Bigger is not always better. And don’t spare your biggest customers either. Indeed sometimes your biggest customers can be the worst culprits, because their size and negotiating ability means they are likely to have hammered out a tough deal with tight margins in the first place, and because there can be a tendency of firms to put the needs of bigger customers before those of smaller customers who might actually be making you more money. Yes it can be hard to lose a big revenue client, particularly if your industry is ranked by revenue, but ultimately it is profits not turnover that counts. 5. Decide if you could put up with their demands if they paid you more. If the answer is yes, arrange a meeting and tell them you are sorry but you need to increase your prices in order to be able to service their needs. That way you either get them at a better margin, or they go elsewhere and the problem is solved. If the answer is still no, tell them and make it clear that your decision is final. Walford says: “Sometimes you get tricky customers and no matter what you do for them it is not good enough, or they are just nasty. You really have to sit down and say this isn’t working for us, we are working to the best of our ability but we don’t think this is a great relationship so we should call it a day.” 6. Take positive action. Don’t attempt to drive unprofitable customers away by simply ignoring them and giving them increasingly poor service. Customers talk to each other – if you give one customer the cold shoulder word will get around and your reputation will suffer and you may find yourself losing more customers than you had planned. 7. Support your staff. Often it is your employees who bear the brunt of rude or horrid customers, so make sure they know you are on their side and are prepared to stick up for them, otherwise you will end up with a seriously disaffected workforce as well. Listen to their suggestions about how best to deal with the situation and offer them the option of handing over the client to a colleague to deal with instead. Walford says: “Support your staff otherwise they will get demotivated because they are being forced to work with people they don’t want to work with. If one of your staff is being bullied by a client or being treated badly, ask them what they want to do and if you can, involve them in reaching a solution.” 8. Pass it on. If the service your customer wants is no longer the kind of service you offer, recommend them to a competitor, and tell the competitor you are doing so. Don’t send them customers from hell though, as they may one day return the favour.

Apple and Beats: What Apple gains from the biggest deal in its history

After a month’s worth of rumour and speculation, Apple finally confirmed its purchase of the Beats headphone and streaming business (or, to give it its full name, Beats Electronics) this week for a staggering $3bn (about £1.85bn). The deal, which is expected to be completed before the end of the year, is made up of $400m in Apple Stock and $2.6bn in cash. Although not entirely unexpected, the deal has got many in the M&A world scratching our heads. Why would the world’s biggest technology firm pay three billion dollars for a maker of blingy headphones? Of course, in this sense, it’s a classic Apple move – something that leaves tech scene observers rather bemused, and Apple’s rivals rather fearful.
This is by far and away the biggest acquisition Apple has ever made in its 38-year history. It has always preferred to develop products in-house and its acquisitions have in the past been small – no more than a few hundred million dollars. Before this, its biggest buy was NeXT Computer in 1997, for $400m (about $760m in today’s money). But the deal is actually small beer for Apple, which is sitting on a cash pile of more that $150bn. But this particularly deal is, I think, indicative of Apple’s ability – even post-Jobs – to think long term and potentially disruptively (as it did with the iPod, iPhone and iPad). This is about much more than headphones or speakers, which Beats also sells. Apple is, through its iTunes store, the world’s biggest music retailer. But its dominance was built over a decade ago in offering the ability to purchase an approved digital music download. Now the model has changed. The rise of smartphones, tablets and systems such as Sonos, coupled with faster broadband, has enabled music streaming providers such as Spotify, Napster and now Google Play to thrive. Streaming is – outside of a small but vocal community devoted to physical formats such as vinyl – the new way to consume music. Why own music when you can rent it? The same thing goes for streamed media products, such as Netflix and LoveFilm, which have largely killed off high-street video rental stores. Apple has tried to get into streaming before, with Ping and iTunes Radio, but has never quite cracked it, and now has to play catch-up with the likes of Spotify and Pandora. It has been marginally more successful with Apple TV (again, via iTunes), but this service is commonly perceived as being behind LoveFilm or Netflix. Now, playing catch-up is not something Apple likes to do. But at a stroke it has acquired a number of things. First of all, it has acquired the world’s most high-profile headphones brand. Beats by Dr Dre may not meet the standards demanded by audiophiles, but they are definitely the ‘phones to be seen with, and they carry a huge amount of brand equity. They are, particularly among a young demographic willing to shell out cash for this kind of thing, “cool” – a patina which Apple itself may have lost over the past few years as its products became more ubiquitous; they are beloved, and used by, high-profile music and sports stars, who provide crucial brand endorsement. Beats ‘phones are also premium-priced, high-margin products in an increasingly commodified tech hardware market. In fact, the company had revenues of $1.2bn last year. As well as a brand, Apple is also buying “talent”, always an important factor in any acquisition. In this case the talent is Dr Dre (himself a brand) and perhaps more importantly, legendary producer/music mogul Jimmy Iovine, the man who helped turn Bruce Springsteen, Meat Loaf and Lady Gaga into megastars. And finally, Apple is buying into streaming; Beats doesn’t just make headphones, it also launched a US-only music subscription service, Beats Music, in January this year. In the first quarter of 2014, it attracted about 250,000 paying users (this is way, way behind Spotify’s 10+ million subscribers). But one of the things that differentiates Beats streaming from, say, Pandora or Spotify, is that it is based on a “curation” model, rather than computer algorithms. Now algorithms can be wonderful things (where would Google, and the rest of us, be without complex algorithms?) but one thing they are not is human. And with something as human, as subjective, as musical taste, they fail dismally. Either their recommendations are annoyingly random, or else they are completely inappropriate. Tastes these days tend to be more eclectic than they used to be, but there is no real reason why fans of Bring Me The Horizon would want to listen to The Eagles or folk-rocker Jack Johnson – which has been the kind of disconnect that plagues all algorithmically-driven music services, and Apple’s in particular. Beats Music can be launched internationally and could become the market leader. And, given that there is a generation for whom the idea of paying for music is anathema, and for whom the idea of listening to ads in return for freebies is near second-nature, there is the possibility of an advertising-funded streaming service which, given iTunes has well over 600 million users, could easily eclipse Spotify’s 40 million registered users. In short, Beats/Apple could become to streaming what iTunes is to downloads. Most importantly of all, it seems that the deal has the near-unanimous support of the music industry (in effect the big three international conglomerates, Universal, Sony BMG and Warners). Record companies love streaming, because they get to keep ownership of the music, rather than having to worry about easily-hacked DRM protocols or people passing on digital files. The “biz” knows and (to a degree) trusts Apple: it’s been dealing with the Cupertino behemoth for almost 15 years, and in the spirit of “better the devil you know”, would rather deal with an established company than an upstart. It knows that while Apple may play hardball, based on its past record it guarantees sustained and sustainable long-term income. So, what does this mean for the world’s most valuable tech company? As I mentioned earlier, Apple is always the kind of firm to do the unexpected; it doesn’t always get things right, but when it does, it changes entire industries. I think this will be another game changer for Apple and for the music industry. There are strong rumours that Apple may be about to unveil some sort of “smart home” system (perhaps as early as next month’s Apple World Wide Developers’ Conference) that will allow you to control a huge range of home devices and services from an iOS device, and music streaming will play an important part of this planned iOS-centric world. And one more thing – although it is sitting on a $150bn cash hoard, Apple’s traditional revenue streams are starting to decline. It will need to start spending more of that money to get revenues growing again, otherwise shareholders will start demanding some of that dosh for themselves. I think we will start seeing Apple embark on a spending spree that will put Google and Facebook’s cash-flashing of the past few months in the shade. After all, albeit I say this with my tongue firmly in my cheek, this is a company that could buy up Sony, WPP, Omnicom, Publicis, IPG, Dentsu, Havas, Panasonic and Hewlett-Packard with money to spare… exciting times ahead, methinks.

Omnicom’s media networks gain new mobility

“One of the reasons this is happening,” commentators said last year when news of the Publicis-Omnicom mega-merger first broke, “is because Publicis is strong in digital and Omnicom isn’t”. And they had a point – although it possessed a blue-chip portfolio of “traditional’ agencies, Omnicom lagged behind both Publicis and WPP when it came to digital and (especially) mobile: hooking up with Publicis, which had been aggressively pursuing a digital strategy for some time, made perfect sense.
So it was interesting to see the news earlier this week that Omnicom Media Group (Omnicom’s media business unit, which includes agency brands like OMD, Novus and PHD) had bought Mobile5, the UK mobile marketing agency that counts Samsung, Canon and Trinity Mirror among its clients. Now this of course doesn’t mean that the “Publicom” merger isn’t going ahead – the acquisition of companies by both entities will carry on, albeit not on a huge scale as the merger beds in. They simply cannot discuss what they are looking at until the deal is finalised. Nobody is saying how much money changed hands in this latest deal, but it must have been a tidy sum. Although less than three years old, Mobile5 already employs over 30 people in its London offices, and has a tasty client list, as we’ve already seen. Mobile5 – set up by mobile veterans Oli Roxburgh, Steve Clarke and Guy Marks, all of whom appear to be staying – will continue to be run as a separate agency within Omnicom’s OMG network, based at the latter’s London offices. Interestingly, Mobile5 will be familiar to OMG boss Colin Gottlieb and his team – the former has already worked with the latter on a number of accounts, notably PlayStation and Waitrose. So why did he buy? I think there are two reasons. The first is that there’s a mutual synergy between acquirer and acquired. Mobile5 provides services such as mobile strategy and insight, mobile experience design, mobile content creation, mobile commerce and marketing solutions. Good, funky, creatively-led stuff – the kind of start-up DNA that big networks like OMG are always seeking to inject into themselves. But what Mobile5 doesn’t do is planning or buying: this is of course something that OMG does very well. “They are doing the stuff that’s further upstream and that’s the stuff that we’d rather have on top of our existing services,” Gottlieb said in a media statement earlier this week. It looks as if Mobile5 will now provide mobile services to its new owner’s EMEA agencies network. And the second reason? That’s more strategic and tied up with a rather different deal done by Omnicom on the other side of the Atlantic. Earlier this week the network signed a year-long contract with Instagram, the Facebook-owned photo-sharing service. How much the deal was worth isn’t clear – the amount was not officially disclosed and I’ve read figures ranging from between $40m and $100m; whatever, it’s a big deal. This is the first time that Instagram, which has 150 million active users (60 per cent of them from outside the US), has signed a deal with an ad network. In fact, it’s only been taking ads since last year. Essentially, Omnicom creative and media agencies will create “ads” (possibly in the form of sponsored photos or streamed advertising) which will be delivered to Instagram users. A high level of media placement skills – not to mention sensitivity – will be needed if Instagram users (many of who have been muttering about leaving if Facebook tries to show them ads) are to be fully engaged. I have heard that Omnicom will be putting its best teams on this – so ads will be of very high quality creatively and almost “manually” placed, by tapping into the reams of data provided by Facebook. Instagram’s tentative moves into advertising have, by all accounts, been pretty successful. But they’ve all been within the US and – given almost two-thirds of Instagram users are elsewhere – to really make the deal work on behalf of clients on a global basis, Omnicom will have to use or acquire local talent. This is where a UK-based agency like Mobile5 comes in. Also, whilst Instagram is available on the desktop, it’s primarily a mobile service (which is what prompted Facebook to pay $1bn for it back in 2012). Again, for the tie-up to work properly, Omnicom will have to ensure that it has people with experience in, and understanding of, mobile as a channel and a space. And again, this is where an agency like Mobile5 excels. I can see Omnicom making similar acquisitions in other territories in the coming weeks and months as it seeks to ensure its media agencies rule the mobile space. Unless, of course, another network has other ideas…